Tom Petty was a prolific songwriter. His catalog boasts a wealth of iconic tracks that continue to resonate with fans today. However, beneath the surface of radio staples lie a treasure trove of hidden gems – songs that never quite made it onto an album.
These “Lazarus songs”, as Tom Petty and the Heartbreakers guitarist Mike Campbell called them, were meticulously crafted and re-recorded in a relentless pursuit of perfection. This unwavering commitment to artistic vision, as explained by producer George Drakoulias, is a key factor behind Tom Petty’s enduring legacy.
Petty’s approach to his songwriting craft made him one of the most respected musicians in the industry, and that high regard is very much obvious in the latest country tribute album dedicated to him, Petty Country: A Country Music Celebration of Tom Petty, which hit the shelves June 21st.
“Lazarus Song” Getting a New Life
Beyond the radio staples that cemented Petty’s status as a rock icon, he and his band’s “throwaway songs” were also a treasure trove of the rockstar’s songmaking magic. These hidden tracks, emblematic of Petty’s relentless pursuit of artistic perfection, are now finding new life.
One such Lazarus song, “Ways to Be Wicked”, offers a fascinating glimpse into Petty’s creative journey. George Drakoulias, in an interview with Ultimate Classic Rock, detailed the song’s circuitous path.
Originally intended for another artist, Maria McKee of Lone Justice, the track eventually landed back with Petty, evolving through multiple recordings before finding its latest incarnation with contemporary country artist Margo Price. Price’s rendition found its way into the Petty Country, featuring Mike Campbell, among others.
“Tom’s B Material is Better Than a Lot of People’s A Material”
Drakoulias dug into another “Lazarus song”, “Surrender”, which saw the light of the day in 2000 as part of the compilation album Anthology: Through the Years. The producer explained how the band repeatedly attempted to capture the right feel, but ultimately shelved it. Years later, while working on the Playback box set, Drakoulias unearthed the song and expressed his surprise at its omission.
Both Tom Petty and Mike Campbell seemed to have forgotten their initial dissatisfaction, leaving Drakoulias baffled by the decision. He humorously recounted justifications like “too country” or “too many slow songs” being offered as reasons for leaving it off an album.
Drakoulias went on to discuss his conversations with record executive Jimmy Iovine. They both agreed that Petty’s “B material” often surpassed what other artists considered their best work. – “Tom’s B material is better than a lot of people’s A material. You would kill to have a song like that on your record,” he explained.
Tom Petty’s Approach to Music
When asked about his appreciation of the late songwriting icon’s approach to music, Drakoulias reflected on two key takeaways from working with Tom Petty. First, he emphasized Petty’s unwavering dedication to songwriting. Even with songs that weren’t destined for an album, Petty treated the craft with the utmost respect.
Drakoulias also spoke about the collaborative spirit he witnessed firsthand with Petty. He recounted a specific instance while mixing the song “Joe” from The Last DJ. Petty initially felt disconnected from the final product, unable to hear his own vocals clearly. Rather than simply accepting frustration, Drakoulias and Petty worked together.
The producer adjusted the mix, bringing Petty’s vocals forward, and the artist immediately recognized the improvement. This experience highlighted the importance of open communication and trust in the creative process. He emphasized, “There’s a way where he tells you and he guides you, that he gets you to where you need to be. Everybody gets there and it’s a big win at the end.”
A Celebration of Roots
The Tom Petty Estate has unveiled Petty Country: A Country Music Celebration of Tom Petty, a heartfelt tribute album released on June 21. Curated by Drakoulias alongside Randall Poster, the album features an impressive roster of country music’s biggest names.
From chart-topping artists like Chris Stapleton and Dierks Bentley to legendary figures such as Willie Nelson and Dolly Parton, the collection reimagines Tom Petty’s extensive catalog with a distinct country flair.
These aren’t just renditions of Petty’s greatest hits – the album delves deeper, showcasing both fan favorites and hidden gems. This variety ensures a fresh and engaging listening experience, one that transcends the typical “all-star tribute” format. Drakoulias himself hints at the inspiration behind the project, revealing Tom Petty’s lifelong appreciation for country music and its influence on his musical journey.