The 1980s are often relegated to the back-burner of Bob Dylan’s illustrious career. Dismissed as a period of inconsistency, some critics might have you believe the well of Dylan’s songwriting genius had run dry. But for those willing to dig a little deeper, a different story emerges.
Oh Mercy, released in 1989, stands as a testament to Dylan’s enduring creative spark. This critically acclaimed album not only marked a shift in his sound, but also a resurgence in his artistic power. Fuelled by a dynamic collaboration with producer Daniel Lanois, Oh Mercy boasts a collection of songs that are as captivating as anything Dylan has ever produced.
But which tracks truly stand out as the crown jewels of this remarkable album? Join us as we unveil the five greatest songs that define Oh Mercy‘s enduring brilliance.
5. “Everything Is Broken”
Oh Mercy might be known for its slower, ballad-driven tracks that linger on emotional lyrics. But nestled among these introspective moments are a few energetic gems. “Everything Is Broken” stands out as a prime example.
This track showcases the tight collaboration between Dylan Lanois. Tony Hall’s bassline lays the foundation with a captivating groove, while the band delivers a driving energy. Despite the seemingly bleak title, the song transforms a list of societal woes into a surprisingly upbeat exploration of a world gone slightly off-kilter.
4. “Shooting Star”
“Shooting Star”, the melancholic closer of Oh Mercy, paints a picture of missed chances and lingering regrets. Dylan’s narrator searches for answers in the night sky, each celestial movement a reminder of something just out of reach. The verses unfold with a sense of quiet contemplation, punctuated by Dylan’s signature short lines.
The song takes a temporary turn towards The Bard’s Born Again era with a more wordy middle eight, filled with cryptic allusions and pronouncements. However, this shift is fleeting, as the final verse finds his voice tinged with dejection as he watches the titular shooting star fade from sight. “Shooting Star” is a beautiful and poignant farewell, leaving a lasting impression as the album closes.
3. “Man in the Long Black Coat”
“Man in the Long Black Coat” oozes menace, a testament to Dylan’s masterful songwriting on this iconic record. The narrative unfolds through a series of evocative images and whispers of rumor. Neither the enigmatic title character nor his unfortunate victim utter a word, leaving their inner lives shrouded in mystery.
Lanois’s influence on this track is undeniable, crafting a soundscape thick with swampy heat that perfectly complements the song’s ominous mood. Dylan himself delivers a captivating vocal performance, weaving a tale of danger and intrigue that lingers long after the final note fades.
2. “Most of the Time”
“Most of the Time” tackles the familiar territory of heartbreak with a fresh twist. Here, The Bard avoids the cliche of overt emotional outpouring, instead opting for a masterful display of denial. The title itself, a simple yet powerful phrase, hints at a deeper pain lurking beneath the surface.
While he claims that most of his time is free from memories of the lost love, it’s clear that those fleeting moments of recollection leave a devastating impact. “Most of the time” might suggest a sense of resilience, but Dylan’s delivery betrays a deeper truth. The song ranks among his most effective ballads, capturing the lingering ache of a love lost.
1. “Ring Them Bells”
“Ring Them Bells” finds Dylan revisiting the religious imagery and themes that pervaded his Born Again era. However, here these elements are repurposed to deliver a powerful message of empathy for the downtrodden. Dylan’s vocals brim with tenderness, expressing a deep concern for those most in need.
The song’s beauty transcends its message. A yearning melody perfectly complements the heartfelt lyrics, creating one of Dylan’s most affecting compositions. “Ring Them Bells” is a prime example of Dylan’s enduring ability to craft timeless music, and rightfully deserves a place among his greatest achievements.