1975 was a year of great upheaval and change. The world was grappling with political and social unrest, while technological advancements were beginning to reshape society. In the midst of it all, the music industry was churning out hit after hit. But amid the gold was a fair share of dross.
Let’s be clear: this isn’t a list of the worst songs ever made. But it is a collection of tracks from 1975 that, for various reasons, haven’t aged well. Perhaps they were overplayed, musically questionable, or simply products of their time that no longer resonate.
So, grab your bell-bottoms and prepare to revisit some questionable musical choices. It’s time to dive into the ten songs from 1975 that, in our humble opinion, missed the mark.
10. “One Man Woman/One Woman Man” – Paul Anka & Odia Coates
There’s something inherently cringeworthy about a song that glorifies infidelity. Yet, in 1974, “One Man Woman/One Woman Man” by Paul Anka and Odia Coates topped charts worldwide. This duet, sweet on the surface, unravels into a disturbing tale of a man confessing his adultery to his partner.
While she initially expresses heartbreak, the song takes a truly questionable turn as she ultimately forgives him and accepts him back. It’s a musical choice that leaves a bad taste in the mouth and begs the question: was this really the kind of message we wanted to be sending?
9. “Lady” – Styx
The term “power ballad” gets thrown around a lot these days, but few songs truly deserve the title. Styx’s “Lady” is often credited as the original, but does it hold up under scrutiny? Released in 1973, the song initially struggled to gain traction. It wasn’t until the band switched record labels that “Lady” finally hit the big time, becoming a top-five hit in 1975.
While its sentimental lyrics and soaring melodies undoubtedly contributed to its success, one can’t help but wonder if its enduring popularity is more a testament to the power of nostalgia than musical brilliance.
8. “Only You (And You Alone)” – Ringo Starr
Sometimes, a classic song is best left untouched. Such is the case with “Only You”. Originally a Platters’ hit, this ballad received a Ringo Starr makeover in 1974. Despite featuring contributions from fellow Beatle John Lennon and Harry Nilsson, the cover failed to capture the magic of the original.
While it managed to chart decently, it ultimately pales in comparison to the timeless version that preceded it. Perhaps it’s a testament to the difficulty of reimagining a perfect song, or simply a reminder that even the best musicians can miss the mark.
7. “You Are So Beautiful” – Joe Cocker
There are some songs that become so synonymous with one artist that it’s easy to forget they existed before them. “You Are So Beautiful” is a one good example. Originally penned by Billy Preston, the song gained widespread recognition through Joe Cocker’s soulful rendition in 1974.
His version, with its signature gravelly vocals, became a massive hit, eclipsing the original and cementing Cocker’s status as a ballad crooner. While there’s no denying the emotional impact of Cocker’s performance, it’s worth remembering that this overplayed track had a life before becoming his signature tune.
6. “My Eyes Adored You” – Frankie Valli
“My Eyes Adored You” is a tale of perseverance and unexpected success. Initially rejected by multiple record labels, this Frankie Valli ballad eventually found its way to the top of the charts. It’s a classic underdog story, but does the song itself live up to the hype?
With its saccharine lyrics and over-the-top production, “My Eyes Adored You” is the epitome of a cheesy ballad. While it undoubtedly struck a chord with audiences in the 1970s, its enduring popularity is a testament more to the song’s commercial success than its artistic merit.
5. “Why Can’t We Be Friends?” – War
War’s “Why Can’t We Be Friends?” is a prime example of a song that tries too hard. Released in 1975, the track became a surprise hit, even reaching the cosmos as a symbol of unity. However, its repetitive structure and simplistic message wear thin after the first few listens.
The song’s popularity might be more a reflection of the era’s desire for harmony than its actual musical merit. While its intentions are undoubtedly noble, “Why Can’t We Be Friends?” ultimately falls flat as a truly compelling listen.
4. “I’m Not Lisa” – Jessi Colter
Jessi Colter’s “I’m Not Lisa” is a curious anomaly in the annals of music history. This plaintive ballad catapulted Colter from obscurity to stardom in 1975, topping both country and pop charts and earning her a coveted spot in the pop culture zeitgeist.
However, despite its commercial success, the song is often remembered more for its catchy melody than its lyrical depth. Exploring the painful theme of being in a relationship with someone still haunted by a past love, “I’m Not Lisa” is a poignant but ultimately one-dimensional track that overshadows the rest of Colter’s impressive discography.
3. “Morning Side of the Mountain” – Donny & Marie Osmond
The Osmond siblings were undoubtedly a cultural phenomenon in the 1970s, with their wholesome image and undeniable talent. However, not all of their hits have aged gracefully. “Morning Side of the Mountain”, released in 1974, is a prime example of saccharine pop at its worst.
While it managed to climb the charts, the song’s cloying lyrics and overly sentimental tone make it a prime candidate for the “skip” button. It’s a gentle reminder that even the most beloved acts can produce forgettable music.
2. “Lovin’ You” – Minnie Riperton
Minnie Riperton’s “Lovin’ You” is often cited as a quintessential song of the 1970s, with its distinctive vocal stylings and infectious melody. However, the song’s enduring popularity might be more a testament to its novelty factor than its actual musical quality.
With its repetitive lyrics and over-the-top production, “Lovin’ You” can be a grating experience, especially when the titular phrase is stretched to its vocal limit. While it undoubtedly showcases Riperton’s impressive range, the song ultimately comes across as more gimmick than genuine artistry.
1. “Only Women Bleed” – Alice Cooper
Alice Cooper’s “Only Women Bleed” is a song shrouded in controversy. Released in 1975, it was intended as a harrowing portrayal of domestic abuse. However, due to its title and certain interpretations, the song was often misconstrued as something far more offensive.
This misunderstanding led to censorship and limited airplay, overshadowing the song’s powerful message. Despite its artistic merit and important subject matter, “Only Women Bleed” remains a cautionary tale about the challenges of conveying complex themes through popular music.