The 1960s were a golden era of music, filled with iconic anthems that defined a generation. Yet, not every brilliant track managed to stay in the limelight. Some have faded into the background, waiting to be rediscovered by curious ears.
This list brings those hidden gems back into focus. These are songs that might not top every classic rock playlist but hold a unique charm that’s too good to ignore. They’re the ones that spark nostalgia and surprise in equal measure.
Think of this as a journey through forgotten melodies and stories. From soulful grooves to electrifying beats, these tracks deserve a second listen. Let’s dive in and give these 12 forgotten 60s songs the attention they’ve always earned.
“She’s Not There” – The Zombies (1964)
“She’s Not There” marked The Zombies’ debut single and quickly became a defining song of the 1960s. With its haunting melody and innovative use of jazz influences, the track showcases the band’s unique sound. The lyrics reflect a sense of longing and confusion, capturing the essence of lost love.
The song’s distinctive organ riff, played by Rod Argent, adds to its ethereal quality, making it stand out in a decade filled with rock anthems. Its blend of pop and psychedelic elements has allowed it to endure through the years. Despite its initial success, it often gets overshadowed by other hits from the era.
Today, “She’s Not There” deserves a revival for its artistry and emotional depth. It remains a timeless piece that resonates with listeners, reminding us of the complexities of relationships and the passage of time.
“Different Drum” – The Stone Poneys (1967)
“Different Drum,” performed by The Stone Poneys and featuring Linda Ronstadt’s powerful vocals, is a gem that often flies under the radar. Released in 1967, the song’s catchy melody and poignant lyrics speak to the struggles of unrequited love. Ronstadt’s emotive delivery elevates the song, making it memorable.
The track was penned by Mike Nesmith of The Monkees, showcasing his songwriting prowess. Its blend of folk-rock elements set it apart from mainstream pop at the time. Although it reached the charts, it is frequently overlooked in discussions about 1960s music.
Reviving “Different Drum” would introduce new audiences to its heartfelt narrative and Ronstadt’s exceptional talent. It serves as a reminder of the rich tapestry of music from this era that deserves another listen.
“Time Has Come” – The Chambers Brothers (1968)
The Chambers Brothers’ “Time Has Come” is a powerful anthem that encapsulates the spirit of change in the late 1960s. With its infectious rhythm and soulful harmonies, the song captures the urgency of social movements during that period. Its call for action resonates with listeners seeking inspiration.
The song features a blend of rock, gospel, and psychedelia, showcasing the band’s versatility. Its dynamic instrumentation builds an atmosphere that invites listeners to engage with its message. Despite its impactful lyrics and sound, it often remains overshadowed by more prominent hits.
Bringing “Time Has Come” back into popular conversation would highlight its relevance today as we continue to navigate social issues. It stands as a testament to the power of music as a catalyst for change.
“Itchycoo Park” – Small Faces (1967)
“Itchycoo Park,” a hit by Small Faces, is often celebrated for its catchy chorus and vibrant sound. Released in 1967, this track captures the playful essence of youth while addressing themes of escapism and nostalgia. Its whimsical lyrics invite listeners to reminisce about simpler times.
The song’s innovative use of sound effects and layered vocals showcases the band’s creativity during a transformative period in music. Its psychedelic influences reflect the cultural shifts happening in society at that time. Despite its popularity upon release, it has faded from mainstream recognition.
Reviving “Itchycoo Park” would not only celebrate its musical ingenuity but also evoke feelings of joy and freedom associated with youth. It remains an essential piece of 1960s music history worth rediscovering.
“I Had Too Much to Dream (Last Night)” – The Electric Prunes (1966)
“I Had Too Much to Dream (Last Night)” is a quintessential psychedelic rock track by The Electric Prunes that encapsulates the dreamy atmosphere of the 60s. Released in 1966, it features swirling guitars and haunting vocals that create an otherworldly experience for listeners. The lyrics explore themes of disillusionment and introspection.
The song’s innovative production techniques were ahead of their time, making it a standout in an era filled with experimentation. Despite charting well during its release, it has been largely forgotten amidst more commercial hits from the decade.
Bringing attention back to “I Had Too Much to Dream” would highlight its artistic merit and influence on subsequent generations of musicians. It serves as an important reminder of the creative spirit that defined 1960s music.
“Hello, I Love You” – The Doors (1968)
The Doors’ “Hello, I Love You” is a classic rock staple that showcases Jim Morrison’s charismatic vocals and poetic lyricism. Released in 1968, this track combines catchy melodies with deeper themes of love and desire. Its infectious chorus makes it one of their most memorable hits.
While often overshadowed by other Doors classics like “Light My Fire,” this song deserves recognition for its lyrical depth and musical composition. The blend of rock and pop elements demonstrates the band’s versatility during their peak years.
Reviving “Hello, I Love You” would reintroduce audiences to Morrison’s unique artistry and the band’s innovative sound. It remains a timeless piece that continues to resonate with fans old and new.
“Green Tambourine” – The Lemon Pipers (1967)
“Green Tambourine,” performed by The Lemon Pipers, is a quintessential example of bubblegum pop infused with psychedelic elements. Released in 1967, this upbeat track features catchy hooks and whimsical lyrics about youthful escapades. Its playful nature makes it an enduring favorite among fans of 60s music.
The song’s success on the charts marked a significant moment for bubblegum pop as it blended commercial appeal with artistic experimentation. Despite its initial popularity, it often gets overlooked in favor of more serious rock tracks from the era.
Reviving “Green Tambourine” would celebrate its fun spirit and remind listeners of the lighter side of 60s music culture. It stands as an important reminder that not all great songs need to be serious to leave a lasting impact.
“Spooky” – Classics IV (1967)
Classics IV’s “Spooky” is a smooth blend of pop and soft rock that captures an air of romance and mystery. Released in 1967, this track features lush instrumentation paired with soothing vocals that create an inviting atmosphere for listeners. Its catchy melody makes it memorable yet often forgotten.
The song’s lyrics evoke feelings of longing while maintaining an upbeat tempo that resonates with audiences looking for nostalgic tunes. Despite achieving chart success upon release, it has since faded from mainstream playlists.
Bringing “Spooky” back into focus would highlight its charm and lyrical depth while showcasing Classics IV’s unique sound within the broader context of 60s music history. It’s time for this hidden gem to shine again.
“Incense and Peppermints” – Strawberry Alarm Clock (1967)
Strawberry Alarm Clock’s “Incense and Peppermints” is an iconic psychedelic rock anthem that encapsulates the spirit of experimentation during the late 60s. Released in 1967, this track features surreal lyrics paired with jangly guitars that create a dreamlike experience for listeners. Its catchy refrain has made it a staple at retro-themed events.
Despite reaching number one on the charts, many people have forgotten about this vibrant piece due to its association with niche genres like psychedelia. The song’s unique sound reflects cultural shifts happening at that time while remaining relevant today.
Reviving “Incense and Peppermints” would celebrate its artistic merit while introducing new audiences to Strawberry Alarm Clock’s innovative approach to music-making during an influential decade in history.
“Sunny” – Bobby Hebb (1966)
Bobby Hebb’s “Sunny” is a soulful classic that radiates warmth and positivity through its heartfelt lyrics and smooth melodies. Released in 1966, this track speaks about love’s power to brighten even the darkest days—a message that resonates universally across generations. Its infectious rhythm makes it perfect for sing-alongs.
Despite achieving commercial success upon release, many modern listeners may not be familiar with Hebb’s work beyond this hit single due to changing musical trends over time. This oversight overlooks his significant contribution to soul music during this transformative era.
Reviving “Sunny” would not only highlight Hebb’s exceptional talent but also remind audiences why uplifting songs are essential parts of our collective musical heritage—offering hope when needed most.
“Shapes of Things” – The Yardbirds (1966)
“The Yardbirds’ ‘Shapes of Things’ is often regarded as one of their most innovative tracks.” Released in 1966 during their peak years as pioneers within rock music circles—this song blends blues influences with experimental sounds reflecting societal changes occurring at that time.
Its thought-provoking lyrics invite listeners into deeper contemplation about life’s complexities while maintaining an upbeat tempo throughout.”
Despite being overshadowed by other hits from both The Yardbirds themselves & contemporaries alike—this gem deserves recognition today! Reviving ‘Shapes Of Things’ would showcase how forward-thinking these musicians were & inspire future generations who seek authenticity within artistry.
“Everybody’s Talkin’” – Harry Nilsson (1969)
Harry Nilsson’s rendition of “Everybody’s Talkin’” became synonymous with introspective journeys during late-night drives or quiet moments spent reflecting on life’s intricacies.” Originally written by Fred Neil—Nilsson’s version released in ’69 brought fresh energy & emotional depth which resonated widely among audiences.
Its poignant storytelling captures feelings familiar yet often unspoken—making it timeless despite being somewhat forgotten over time.”
Reviving “Everybody’s Talkin’” would remind listeners why Nilsson remains one-of-a-kind artist whose work transcends genres & eras alike! It serves as gentle reminder: sometimes all we need is someone else’s voice guiding us through our thoughts while we navigate our own paths forward together.