George Harrison’s evolution as a songwriter within The Beatles was a journey of persistence, creativity, and quiet determination. While John Lennon and Paul McCartney dominated the band’s early catalog, Harrison steadily refined his craft, pushing through limited opportunities to showcase his own voice.
His songwriting trajectory wasn’t immediate, nor was it always easy. At first, he was allotted only a song or two per album, often overshadowed by the prolific output of his bandmates. But as the years progressed, his compositions evolved in complexity and depth, incorporating Indian influences, poetic lyricism, and a unique melodic sensibility that set his work apart.
From early experiments to landmark classics, Harrison’s songwriting legacy within The Beatles is a testament to his growth as both an artist and a storyteller. His music carried a quiet power, often revealing emotions and philosophies that diverged from the band’s usual themes. Here, we’ll take a closer look at every original song he wrote for The Beatles, tracing the arc of a composer who went from being an overlooked bandmate to one of rock’s most revered songwriters.
22. “Don’t Bother Me” (1963)
“Don’t Bother Me” marked George Harrison’s debut as a songwriter for The Beatles, appearing on their second album, With The Beatles. Written during a period of illness in 1963, the song broke from the typically upbeat themes of Lennon-McCartney, introducing a more ambivalent perspective.
The song stands out on With The Beatles for its departure from conventional love songs, with Harrison expressing a desire to be left alone. This track presented a new dynamic within the band, contrasting with the sunny disposition of other songs on the album.
“Don’t Bother Me” has been interpreted as an early reflection of Harrison’s feelings about fame and Beatlemania, foreshadowing his later conflicted relationship with public attention. The lyrics capture a sense of introversion and a turning away from the crowd, setting the stage for his future songwriting themes.
21. “I Need You” (1965)
“I Need You” appeared on the Help! album, marking Harrison’s return to songwriting credits after “Don’t Bother Me”. This song is noted as his first romantic contribution, inspired by his then-new relationship with Pattie Boyd, whom he met during the filming of A Hard Day’s Night.
The song is characterized by its melancholic and romantic tone, a departure from his earlier work. It showcased a softer side of Harrison’s songwriting, contrasting with the rock and roll and pop sensibilities of Lennon and McCartney.
From this point forward, Harrison increased his presence as a songwriter, gradually earning his place among the band’s primary songwriters. “I Need You” was a step towards incorporating more of his compositions into the Beatles’ albums, despite the dominance of Lennon-McCartney.
20. “You Like Me Too Much” (1965)
“You Like Me Too Much” is also featured on the Help! album, representing another early composition by Harrison. While it is considered by some to be one of his weaker songs, it signifies his continued effort to contribute original material to the band’s discography.
The song is a love song, drawing inspiration from his relationship with Pattie Boyd. However, it is viewed as less developed compared to his later works, reflecting his early stages as a songwriter.
Critics and fans often regard “You Like Me Too Much” as a minor work in the Beatles’ catalog. Nevertheless, it remains a part of Harrison’s development as a songwriter, showcasing his initial attempts to explore themes of love and relationships.
19. “Think For Yourself” (1965)
“Think For Yourself” is featured on the Rubber Soul album, marking a significant step forward in Harrison’s songwriting. With this song, he began to showcase his growing capacity as a songwriter, establishing a more distinct voice within the band.
The lyrics of “Think For Yourself” diverge from the sweet love songs of Help!, presenting a more introspective and assertive lyrical style reminiscent of “Don’t Bother Me”. This shift indicates a maturing perspective in his songwriting.
Rubber Soul marked a turning point for Harrison, demonstrating his increasing confidence and skill as a composer. “Think For Yourself” is seen as the start of a more virtuous cycle for Harrison, with each subsequent album showcasing further growth.
18. “If I Needed Someone” (1965)
“If I Needed Someone” is another standout track from Rubber Soul and a fan favorite. This song features a bright and harmonious melody that complements its sincere lyrics.
The lyrics, expressing a straightforward declaration of love (“if I needed someone to love, you would be the only one I would be thinking about”), resonate with listeners for their sincerity. The song captures a sense of devotion and commitment.
“If I Needed Someone” solidified Harrison’s place as a significant songwriter within The Beatles. Its musicality and lyrical content have made it a beloved song among fans and a highlight of the Rubber Soul album.
17. “Taxman” (1966)
“Taxman” appears on the Revolver album and is notable for being the opening track, a significant achievement for Harrison. This song marked a turning point in his influence within the band, with his compositions gaining more prominence.
“Taxman” introduced the sitar to Western popular music, reflecting Harrison’s growing interest in incorporating Eastern instruments and musical styles. This innovation redefined the sound of popular music and expanded the Beatles’ sonic palette.
Only three years after his debut with “Don’t Bother Me,” Harrison was composing classics like “Taxman,” which critiques high taxation. The song is considered one of his best creations, demonstrating his rapid development as a songwriter and his ability to tackle social commentary in his lyrics.
16. “Love You To” (1966)
George Harrison played a crucial role in incorporating elements of Hindu music into The Beatles’ work and the broader hippie movement. As a disciple of Ravi Shankar, he dedicated himself to mastering the sitar, a traditional Indian instrument.
Harrison’s exploration of the sitar and Hindu musical concepts brought a unique sound to Western music. “Love You To” exemplifies this fusion, blending rock elements with traditional Indian sounds.
The song contributed to the increasing interest in Eastern culture and spirituality during the 1960s. Harrison’s work with the sitar helped bridge the gap between Western pop music and traditional Indian music.
15. “I Want To Tell You” (1966)
“I Want To Tell You” is the third song by Harrison on Revolver, showcasing his growing presence on Beatles albums. This track features a more classical melody, aligning with the traditional “Beatle style.”
The song begins with a distinctive arpeggio and benefits from the contributions of Paul McCartney, particularly the piano and bass line. These elements enhance the song’s overall musicality.
“I Want To Tell You” represents a solid contribution to Revolver, demonstrating Harrison’s ability to create catchy and well-structured songs. While more conventional than some of his other experiments, it highlights his versatility as a songwriter.
14. “Within You Without You” (1967)
“Within You Without You” is Harrison’s sole contribution to the iconic Sgt. Pepper’s Lonely Hearts Club Band. This track is a masterpiece of contemporary music, blending Western pop with complex Hindu musical elements.
Harrison successfully integrates elements of Hindu music into a pop song, a rare feat that few artists have achieved. The song is an absolute delight, showcasing his ability to create harmonious and accessible music from diverse influences.
“Within You Without You” is a testament to Harrison’s musical genius and his commitment to exploring and sharing his spiritual and musical interests. The song remains a highlight of Sgt. Pepper’s Lonely Hearts Club Band, celebrated for its innovation and beauty.
13. “Blue Jay Way” (1967)
“Blue Jay Way” is named after a street in Los Angeles where George Harrison and his partner stayed in 1967. The song was inspired by Harrison’s experience waiting for a friend in the misty environment of Los Angeles.
Exhausted from travel and waiting for a late friend, Harrison began writing the song, capturing the atmosphere of the city in his lyrics. The lyrics reflect the hazy and dreamlike quality of the surroundings.
“Blue Jay Way” is one of Harrison’s most exotic compositions, characterized by its mystical and psychedelic sound. The song’s unique atmosphere and distinctive melody make it a standout track in the Beatles’ discography.
12. “While My Guitar Gently Weeps” (1968)
“While My Guitar Gently Weeps” is featured on the double album known as the White Album, and is considered by many to be Harrison’s masterpiece. The double album format allowed Harrison to include more of his compositions.
During this period, Harrison was at a creative peak, resulting in exceptional compositions. “While My Guitar Gently Weeps” is a testament to his growth as a songwriter and his ability to create deeply moving and complex music.
The song remains one of Harrison’s most celebrated works, showcasing his talent for blending profound lyrics with innovative musical arrangements. Its enduring popularity and critical acclaim underscore its significance in the Beatles’ catalog.
11. “Piggies” (1968)
“Piggies,” from the White Album, is a satirical commentary on the aristocratic class in England. Harrison employs a baroque musical structure, featuring a harpsichord and string quartet, to underscore the song’s theme.
The song showcases a departure from Harrison’s typically reflective and mystical lyrics, adopting an acid and confrontational tone. The lyrics are a critique of the establishment, following his earlier criticism of the British government in “Taxman.”
The use of classical instruments like the harpsichord and strings contrasts with the Beatles’ usual rock instrumentation. This unique arrangement emphasizes the satirical nature of the song, setting it apart from other tracks on the White Album.
10. “Long, Long, Long” (1968)
“Long, Long, Long,” also from the White Album, features a deep and thoughtful composition. A slow, soothing melody permeates the song, highlighting Harrison’s gentle vocal delivery.
Despite the large number of songs on the double album, “Long, Long, Long” is often undervalued. However, it remains a significant work that showcases Harrison’s ability to create emotive and reflective pieces.
The song explores themes of longing and rediscovery, creating a serene and contemplative atmosphere. Its understated beauty and heartfelt lyrics make it a standout track, deserving of greater recognition.
9. “Savoy Truffle” (1968)
“Savoy Truffle,” another track from the White Album, was inspired by Eric Clapton’s love for chocolates. The song is a list of chocolate names found in a box of sweets.
The song is unlike Harrison’s other compositions, diverging from his typical style. The use of six saxophonists gives it a distinctive sound that sets it apart from much of the Beatles’ discography.
“Savoy Truffle” is characterized by its playful and lighthearted tone, a departure from Harrison’s more serious and spiritual works. Its unique musical arrangement and quirky lyrics make it a memorable, if unconventional, Beatles song.
8. “The Inner Light” (1968)
“The Inner Light” was released as the B-side to “Lady Madonna,” marking his first single as the primary songwriter. The song is inspired by Chapter 47 of the Tao Te Ching by Lao Tzu, a foundational text of Taoism.
The music was recorded in Bombay using Hindu instruments, making it the last Beatles composition to feature such instrumentation1. This reflects Harrison’s deep interest in and incorporation of Eastern musical traditions.
The lyrics delve into philosophical and spiritual themes, reflecting Harrison’s exploration of Eastern spirituality. “The Inner Light” stands as a testament to his ability to blend profound lyrical content with unique musical arrangements.
7. “Only a Northern Song” (1969)
“Only a Northern Song” is included on the Yellow Submarine album and is a satirical commentary on the music publishing company Northern Songs Ltd. Harrison critiques the company’s exploitation of Lennon and McCartney’s compositions, highlighting the financial disparities within the band.
Harrison owned only 0.8% of Northern Songs Ltd., while Lennon and McCartney received greater earnings from their compositions. This song expresses his frustration with the business aspects of the music industry and the unequal distribution of royalties.
The song’s somewhat unconventional and experimental style reflects its satirical intent. “Only a Northern Song” is a unique and often overlooked track in the Beatles’ catalog, distinguished by its sharp wit and social commentary.
6. “It’s All Too Much” (1969)
“It’s All Too Much” is a rock song with psychedelic elements and is the longest track Harrison wrote for The Beatles, lasting over six minutes. It features a whirlwind of distorted guitars, creating a noisy and cathartic sound that aligns more with the style of Jimi Hendrix than Paul McCartney.
The song is characterized by its lysergic and experimental nature, reflecting the band’s exploration of psychedelic sounds during that period. The distorted guitars and extended instrumental passages contribute to its intense and immersive atmosphere.
“It’s All Too Much” stands apart from many of the Beatles’ more harmonious compositions, offering a raw and unrestrained expression of musical experimentation. Its length and sonic intensity make it a notable, if somewhat polarizing, track in their discography.
5. “I Me Mine” (1969)
“I Me Mine” is featured in the Let It Be album and is memorable for its rehearsal sequence in the Let It Be film. The footage shows Harrison, McCartney, and Ringo rehearsing the song while Lennon dances with Yoko Ono in a waltz-like manner.
The lyrics of “I Me Mine” are straightforward, with Harrison simply stating, “I’m mine.” This reflects a theme of self-possession and individuality.
The song’s waltz-time signature and somewhat melancholic melody create a distinctive atmosphere. “I Me Mine” is a poignant and reflective track, capturing the band’s internal dynamics during a period of change and uncertainty.
4. “For You Blue” (1969)
“For You Blue” is one of the last love songs Harrison dedicated to Pattie Boyd, who served as his muse during those years. It was released as a single along with “The Long And Winding Road” from Let It Be.
The song precedes the end of Harrison and Boyd’s relationship, which later led to Boyd’s involvement with Eric Clapton. “For You Blue” captures a moment of affection and devotion before the relationship’s eventual dissolution.
Let It Be, although recorded before Abbey Road, was the last Beatles studio album to be released. “For You Blue” adds a personal and heartfelt touch to the album, showcasing Harrison’s capacity for writing tender love songs.
3. “Old Brown Shoe” (1969)
“Old Brown Shoe” was released as a single with “The Ballad Of John & Yoko,” showcasing Harrison’s growing prominence as a songwriter. The song demonstrates Harrison’s ability to craft catchy and energetic rock and roll tunes.
While “Something” and “Here Comes The Sun” are often highlighted as Harrison’s greatest achievements, “Old Brown Shoe” stands out as a significant contribution. It underscores his versatility and skill in creating memorable and enduring songs.
Characterized by its driving rhythm and clever lyrics, “Old Brown Shoe” is a vibrant and dynamic track. It is celebrated for its strong melody and Harrison’s confident vocal performance, making it a standout in the Beatles’ catalog.
2. “Something” (1969)
“Something” is featured on Abbey Road and is widely regarded as Harrison’s greatest work with The Beatles. After years of dedication, Harrison achieved recognition as a composer on par with Lennon and McCartney.
Both John Lennon and Paul McCartney praised “Something” as one of the best songs they had ever written. The song received massive approval from both critics and the public, solidifying Harrison’s reputation as a top-tier songwriter.
“Something” is celebrated for its intricate yet economical songwriting, showcasing Harrison’s ability to craft a perfect pop song. Its enduring popularity and critical acclaim highlight its significance in the Beatles’ discography.
1. “Here Comes The Sun” (1969)
“Here Comes The Sun” is one of George Harrison’s most beloved compositions. He wrote it while at Eric Clapton’s house, finding relief and inspiration in the rare English sunshine.
The song’s soft and tender guitar melody provides comfort and optimism, especially given the chaotic atmosphere surrounding the band’s end. “Here Comes The Sun” offers a sense of hope and renewal.
“Here Comes The Sun” is currently the most-played song from the entire Beatles discography on Spotify, reflecting its widespread appeal. The song’s enduring popularity highlights its timeless quality and its ability to resonate with listeners across generations.